note view
guitar_neck b3 b3 b6 b6 R R b2 b2 4 4 b5 b5 b7 b7 b3 b3 4 4 b5 b5 b7 b7 R R b3 b3 4 4 b6 b6 b7 b7 R R b2 b2 4 4 b5 b5 b6 b6 b7 b7 b2 b2 b3 b3 b5 b5 b6 b6 R R b2 b2 b3 b3 4 4 b6 b6 b7 b7 R R b2 b2 4 4 b5 b5 b7 b7 b3 b3 b5 b5 b6 b6 R R b2 b2 b3 b3 b6 b6 R R b2 b2 4 4 b5 b5 b7 b7 b3 b3 4 4 b5 b5 b7 b7 R R b3 b3 4 4 b6 b6 b7 b7 R R b2 b2 4 4 b5 b5 b6 b6 b7 b7 b2 b2 b3 b3 b5 b5 b6 b6 R R b2 b2 b3 b3 4 4 b6 b6 b7 b7

Practice backingtrack for E# Locrian

If your jam is not sounding great, try to reload the page, you might get a better vid. For scales that are a bit on the exotic side it might not find much at all.

Intervals of the E# Locrian scale


         interval name             note
R Perfect unison E#
b2 Minor second F#
b3 Minor third G#
4 Perfect fourth A#
b5 Diminished fifth B
b6 Minor sixth C#
b7 Minor seventh D#

Good to Know

The E# locrian in musical notation

The Locrian mode is also known as the seventh mode from the diatonic scale. It differs from the natural minor scale (Aeolian mode) because it has its 2nd and 5th lowerd by a semitone. Its triade is a Diminished triade, and it seventh chord is a Min7b5 or half-diminished-7th-chord (other extensions are b9, 11, b13)

Alternative names

  • E# Locrian mode
  • the seventh mode of the diatonic scale